PS: Ghost-writing, large scale plagiarism, commercialisation of research and publication, corruption at the hierarchy, have defiled the moral fabric and sanctity of academics and research. All this mass treachery has profaned the emblem of Saraswathi.
Soft-Wearing
How weary stale, flat and unprofitable
seem to me all the uses of this world
– Hamlet
We are chips
chipped off
discs of
transmigrated souls
less in the weight of love.
“What’s up?” asks
my grandmother.
“Whatsapp” i say.
That’s all we live for.
A new learning puts us
at a dangerous ease
crushing the dreams
of life under heavy
digital missions of mind
in the gullies of the
metropolitan trash cans.
Brains drain out
in the confluence
of brain drain.
Miles away the soil
moans with pain
where the womb
of love travels
the road that leads
to the larger rooms
of senility where even
lovemaking is digitalised.
About the Author
Sreekanth Kopuri is an Indian poet from Machilipatnam. He is the Current poetry editor for The AutoEthnographer Journal Florida, Writer in Residence, Athens and a Professor of English. He was a Pushcart Nominee for his poem “Coffeying the Day into the Song of Solomon” for 2023. He physically recited his poetry in Oxford, John Hopkins, Heinrich Heine, Caen, Banja Luka, Gdanski and many universities. His poems appeared in Two Thirds North, Arkansas Review, A Honest Ulsterman, San Antonio Review, Chicago Memory House, Tulsa Review, Digging Press Journal, Expanded Field, South Broadway Journal, Contrapuntos, Untethered Review, A New Ulster, Vayavya, American Diversity Report, Plants & Poetry, Burrow, Rational Creature, Nebraska Writers Guild, Poetry San Jose, Oddball Magazine, to mention a few. His book Poems of the Void was the winner of Golden Book of the year 2022. Kopuri was deeply influenced by Jayanta Mahapatra’s poetry.